Originally posted by Theli
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BIRD BOX
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You're right. When I started over there at DRP Chris was just starting I think. And you know what? Good on him for helping to grow the brand and following in his father's footsteps. I hope they can stay afloat and succeed.
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Originally posted by Theli View PostIn regards to DRP they were one of the first independent publishers I discovered, if I recall correctly before CD even. At the time they didn't have quite as many bigger name horror authors, like Barker, Campbell, Ketchum etc. but their prices were lower and they had a very customer friendly grassroots feel. I guess that can't last forever. The direction they've taken recently has soured me on them a little bit. Large mark ups on other publisher books, the crowd funding, the price hikes of their own products (without much increase in quality) and some stories of less than desirable customer issues. I used to be able to make inquiries, comments etc. and get feedback, now unless it's a purchase, or directly related to purchase, comments seem to be ignored. I guess not everyone can be CD, Brian and the crew do a great job of being available and friendly.
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Originally posted by jeffingoff View PostBut I am also wondering if Dark Regions is struggling. They also didn't sell out of their limited edition of OFF SEASON with a bunch of new content. Well, officially, they did sell it out--but only after taking about 150 copies out of preorder. It's more like their print run for the limited was 350 instead of 500. I remember when the number available for preorder dropped by 150 overnight after holding steady for months. There's someone on eBay selling a PC limited who states that the print run was 300 with a bunch of "overruns" resulting in the PC edition up for auction. I wonder who the seller was and how the seller came about that number.
Do people not know DRP exists? Is DRP overpriced? Is DRP betting on the wrong authors? Why is no one biting?
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Originally posted by Brian861 View PostI'm still trying to fathom that Jeff may be insane! So should we jump on this book in case this guy is the next King? Or maybe pick it up when it goes on sale due to the slow sales
I would jump on GOBLIN because this is the only scheduled printing for this book and it is selling out. If you like Malerman as much as I do (from this one book) you can always snag a copy of BIRD BOX later. With the way DRP is holding on to them it looks like you'll have a bunch of time.
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Originally posted by RonClinton View PostWell-conceived theory, Jeff -- and I think those two points are probably particularly apt. Sometimes I forget we S/L buyers are a fraction of the readership who buy horror...who are a fraction of people who buy fantastical fiction...who are a fraction of people who buy genre fiction...who are a fraction of people who buy books...who are a fraction of the consumer marketplace. Still, sometimes having a popular trade release can translate into S/L demand...but that doesn't appear to have happened this time around, and your #2 point may suggest why.
Do people not know DRP exists? Is DRP overpriced? Is DRP betting on the wrong authors? Why is no one biting?
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Originally posted by jeffingoff View PostYeah, that's true too. I'm sure that there were some automatic sales by completists trying to keep their matching numbers--no matter who the author was.
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Originally posted by mhatchett View PostPlus, wasn't it part of the Halloween series for Earthling?? That could push sales as well.
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Originally posted by jeffingoff View PostHere's what I think with a numbered list and everything:
1. BIRD BOX was a huge hit and the market was saturated with copies and all the casual readers who wanted to read a buzzy author read it and moved on to the next buzzy author
2. Josh Malerman isn't "established" as an author deserving of the limited treatment buy the people who collect limited editions--maybe they see him as a buzzy flash in the pan
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Originally posted by RonClinton View PostMore than three months after this 7/17 post, and there are still 359 copies left, so that's just 16 copies sold in that three-month period. I was a little skeptical about the volume's sales potential at its $75 price point, but even I didn't think it would be selling this slow. I would chalk it up to Malerman's lack of popularity of visibility or ?? among genre fans who collect limiteds, but Earthling seems to be doing okay with the S/L of Goblin (think I saw it was 90% sold out...?) with I believe a similar copy limitation, so I'm puzzled why the contrast between the two projects. Is it price ($50 GOBLIN vs. $75 BIRD BOX) or is it more than that?
1. BIRD BOX was a huge hit and the market was saturated with copies and all the casual readers who wanted to read a buzzy author read it and moved on to the next buzzy author
2. Josh Malerman isn't "established" as an author deserving of the limited treatment buy the people who collect limited editions--maybe they see him as a buzzy flash in the pan
3. This is a first release of GOBLIN so there are no copies (other than the ARCS) floating around. Over 400 of the (thousands? millions?) casual readers who read BIRD BOX and follow Malerman decided this he is worthy of this purchase (they're right!).
4. The price difference makes GOBLIN an easier purchase--cheaper and never before read
BUT STILL--I am floored that DRP can't move this book. It has a NEW BIRD BOX story, stunning cover art, badass interior art, and it's signed by Malerman. I guess it's possible that when Malerman's career goes bonkers (apparently he's written something like 14-27 novels that he plans on publishing) people will look back on these editions and gobble them up. It's also possible that I'm insane.
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I think price is a major reason for that, I also believe, though I could be wrong here, that maybe the Earthling has more good faith with customers and a more die-hard fan base.
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Originally posted by RonClinton View PostI hate to be the one that said I-Told-You-So, but jeez louise, I just checked DR's site and a week after my above post there are still 375 copies left, so only ten sold in the last five days or so, or two copies per day. Kind of a shame, given the acclaim for this title. I wonder if that will give DR (and other publishers) pause to reconsider their pricing structure. For me, unless it's Centipede, where I feel the production values and the potential resale value exists (though who am I kidding, I'd never sell any of my Centipedes) to account for the higher price, or perhaps the King Gift Editions from CD, $50 is a pretty hard stop for me when it comes to new genre limited editions...anything beyond that needs to justify itself pretty profoundly or the cost-benefit ratio just doesn't quite work for me. There are always exceptions, of course, but everyone has to have some basic/default barometer, some red line, and $50 is mine.
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