1
It started with the Johnson boys almost a year ago now. Michael aged eight and Malcolm aged ten were found at the side of Bakers Road, just after the "Welcome to Fairhill, pop. 1850. May your stay be pleasant." sign. Two man-sized wooden crosses had been erected on the side of the road, the lower half of each cross extending nearly three feet into the soil. The four heavy beams of the crosses were later identified as being taken from Joe's Timber Shop. That's on the other side of town. The boys were found nailed to the crosses, their bodies stripped of all clothing. The perpetrator had taken the time to carefully gouge out their eyes, making sure these would remain attached to the nerve endings. Like an egg freed from its shell, each eye hung down listlessly from it’s socket. Blood had run down the cheeks and had eventually dried up, giving the appearance of a dried up stream of crimson tears forming a rust-colored puddle at the base of each cross. A painting of Jesus Christ with folded hands and looking up to the skies had been placed between the two crosses. Over this painting, using the blood of one or both of the boys a message had been left behind for the unlucky soul that would first encounter the horrific scene. "They were still alive when I took out their eyes", the message said, "They'll enter Hell blindly".
2
A shockwave of unfathomable terror had spread through the town. In the days following the discovery of the murders every man of good health helped in the desperate search for the killer. During the day, no-one would dare to go out alone. There would always be at least two people together, and a child would at any time be accompanied by at least two adults. During the night, no-one would dare to go out, period. The police questioned everyone, asking us if we'd seen or heard anything - anything at all - that might be of relevance to the investigation. Anyone that had acted out of the ordinary, anyone from out of town perhaps, anyone that had said anything that, in hindsight, might be considered "odd". Of course, none of this proved to be the case. No-one had been placed under suspicion, certainly no arrests had been made. No further clues were found as to why the Johnson boys had been killed, let alone so savagely.
As most people did, I presumed the killer had been nothing more than a maniac, doing what he had done because “the voices in his head” had told him so or because his daddy had touched him in the bad place or whatever the fuck he had thought would justify his actions. Not once during the months of mourning over the deaths of the two young boys did I come close to the truth. I was simply to blinded by the horror of it all to be reminded of the history of Fairhill, the legend, the myth, the story told at campfires countless times before. Then again, had I thought about it, I probably would have either disregarded it or would have simply shut up about it. No-one's interested in pointing the finger to a killer after all, if that killer's been dead for four hundred years.
3
Three weeks after her sons were so brutally murdered, Irene Johnson got up in the middle of the night, walked to the boys bedroom and took a stuffed animal of both Michael and Malcolm. She went outside in the freezing cold of December and made her way to the roof of the house. Richard Johnson woke up some time later, noticed she was missing and went looking for her. Eventually he found her standing on the side of the roof, stuffed animals tightly locked in her arms. Richard asked her to come down, cried, screamed, told her that he couldn't bare to loose her as well. He called the police on his mobile phone, all the while not taking his eyes off of her. When they finally arrived, Irene had already jumped from the roof after telling her husband in a sobbing voice that she loved him, that she was sorry, that she couldn't live without her boys, that she'd be back with them in Heaven soon, holding them, kissing them, never letting them go. She jumped from the other side of the house, making sure her husband wouldn't be able to try and catch her nor would he be able to see her hitting the ground and hearing her skull be broken on the stone terrace floor as she went head first.
4
In the weeks that followed, Richard Johnson received all the help he could ever need from seemingly everyone in town, He'd get food so he wouldn't starve, people would ask him to come over to get out of the house and neighbors would come over so he wouldn't die of loneliness and despair.
But over the course of the two months after Irene Johnson's suicide, Richard kept more and more to himself. He'd tell us that he was thankful for what we'd done for him, but he needed to be alone now. "I guess I have to get used to it, anyway", he would say with a smile that was anything but a smile. During the nights neighbors would hear Richard screaming. There'd be the sound of stuff thrown across the house and sometimes the sound of broken glass. Then it'd be silent. Until the following night. Finally Richard, having lost a massive amount of weight, blue bags pointing to insomnia under his eyes and with virtually no other color in his once happy looking face left, knocked on his neighbors door. He'd cut his wrist, but then apparently decided he didn't want to die. He was taken to the hospital where he was patched up. Physically that is. Mentally he'd gone over the edge. He was taken to Brooks Mental Institution in Mason where he told everyone who wanted to listen how he'd seen a woman appear in the bedroom window - ín the window, nót before the window. Her face covered with sores and blisters, her clothes torn to shreds, her hands blackened from decay. She told him how he'd be next, how he would follow his godforsaken children and his cunt of a wife to the very depths of Hell. But not before she would rip out his intestines and feed on the sweet taste of his flesh. Every night that followed that first appearance - Richard had carefully considered the word appearance before pronouncing each syllable explicitly - she'd be back in the window or a mirror or simply in his head, telling him how his “wife was being fucked by Satan himself as we speak" and how much his wife had loved it, the pain, the suffering, the smell of her own decaying body. The woman would tell him how his children were left wandering blindly through the immeasurable vastness of Hell, crying for their father who hadn't been able to save them when they were being hurt by the evil lady so badly. Once he'd heard his children's voices through the voice of the woman, telling him that he'd be with them soon enough, and he'd suffer for his neglect. He couldn't take it anymore, had tried to kill himself, but then feared death. He jut wanted to get away, away from the house, away from the windows and the mirrors, away from his own thoughts. At Brooks, he demanded to be put under at night, or he'd try and kill himself again. He got what he wanted.
5
Jim Donner, who'd been working at Brooks for over 25 years and who'd been a friend of mine for over 30 years, told me all this about a month after Richard Johnson had been admitted.
"You know what's amazed me even more about that Johnson fellow, Dan?" he asked.
"What?"
"He sounds... relieved. Sane, even. For God's sake, he's lost his wife and kids in just three months and all he says is that he loves them and what a pity it is that they're gone. Then he says that it'll all be alright as long as he gets his night-time medicine so the woman can't get to him. Then he says it's a beautiful day. Cold, but sunny, he says. Jesus Christ. I've seen them before you know, poor souls who've had a traumatic experience and have decided to simply forget what's happened to them. Their brain just kind of resets itself because of some sort of emotional overload, I guess. But this is different".
"How so?" I asked.
"Richard Johnson seems to have come to terms with the fact that his sons have been mutilated and murdered and that his wife has killed herself. I mean, he's accepted those facts and is ready to move on. All he really cares about, the only thing that really is of grave importance to him, is the woman. But people don't get over such a traumatic event in such a short time. It's like the woman - the appearance - has taken up all his brain space and has pushed out the horror of reality, of what's happened to his family".
"Could she be some sort of mental manifestation of his true feelings about all that's happened? I mean, the deaths of his loved ones certainly seem to play a role in his encounters with that mystery woman". I asked this, knowing full well I'd probably sound like some pretentious twat who's once read a book on psychology and thinks he can now go all Freud on the entire world.
"Could be", Jim replied distantly. "Could be".
I felt like a twat.
6
I knew of the legend of Susannah Harris. Of course I did. I was born and raised in Fairwill and I’ve lived here all 48 years of my life. I’ve heard the story round campfires, during family picnics and on the schoolyard. In some of the stories she’s a beautiful 20 year old, in others she’s an 82 year old hag. Sometimes she’s responsible for the deaths of about 20 children and 15 adults, other times it turns out she was innocent. She may or may not have been able to turn people into stone, boil their blood inside their veins, and levitate at night over the hills south of Fairhill. The details differ from storyteller to storyteller but always include a decent amount of blood and well timed scares, usually accomplished by the storyteller’s helper who’s been hiding behind the children and will jump out screaming at the most tense moment of the story.
One part of the legend - the ending - never changes though, possibly because it’s such an iconic image. It’s the stake. The townsfolk gathered round the stake. The flames. The screams of Susannah. The warnings of how she’ll come back.
Six months after the murders of Michael and Malcolm Johnson all Hell broke lose in Fairhill. I need to tell you the legend of Susannah Harris because it is directly related to what has happened here during the last 12 months. You need to understand how deeply the events of 400 years ago are linked to our current time and how it will happen again someday in the future if I don’t somehow put a stop to it. You need to understand. The year is 1653.
It started with the Johnson boys almost a year ago now. Michael aged eight and Malcolm aged ten were found at the side of Bakers Road, just after the "Welcome to Fairhill, pop. 1850. May your stay be pleasant." sign. Two man-sized wooden crosses had been erected on the side of the road, the lower half of each cross extending nearly three feet into the soil. The four heavy beams of the crosses were later identified as being taken from Joe's Timber Shop. That's on the other side of town. The boys were found nailed to the crosses, their bodies stripped of all clothing. The perpetrator had taken the time to carefully gouge out their eyes, making sure these would remain attached to the nerve endings. Like an egg freed from its shell, each eye hung down listlessly from it’s socket. Blood had run down the cheeks and had eventually dried up, giving the appearance of a dried up stream of crimson tears forming a rust-colored puddle at the base of each cross. A painting of Jesus Christ with folded hands and looking up to the skies had been placed between the two crosses. Over this painting, using the blood of one or both of the boys a message had been left behind for the unlucky soul that would first encounter the horrific scene. "They were still alive when I took out their eyes", the message said, "They'll enter Hell blindly".
2
A shockwave of unfathomable terror had spread through the town. In the days following the discovery of the murders every man of good health helped in the desperate search for the killer. During the day, no-one would dare to go out alone. There would always be at least two people together, and a child would at any time be accompanied by at least two adults. During the night, no-one would dare to go out, period. The police questioned everyone, asking us if we'd seen or heard anything - anything at all - that might be of relevance to the investigation. Anyone that had acted out of the ordinary, anyone from out of town perhaps, anyone that had said anything that, in hindsight, might be considered "odd". Of course, none of this proved to be the case. No-one had been placed under suspicion, certainly no arrests had been made. No further clues were found as to why the Johnson boys had been killed, let alone so savagely.
As most people did, I presumed the killer had been nothing more than a maniac, doing what he had done because “the voices in his head” had told him so or because his daddy had touched him in the bad place or whatever the fuck he had thought would justify his actions. Not once during the months of mourning over the deaths of the two young boys did I come close to the truth. I was simply to blinded by the horror of it all to be reminded of the history of Fairhill, the legend, the myth, the story told at campfires countless times before. Then again, had I thought about it, I probably would have either disregarded it or would have simply shut up about it. No-one's interested in pointing the finger to a killer after all, if that killer's been dead for four hundred years.
3
Three weeks after her sons were so brutally murdered, Irene Johnson got up in the middle of the night, walked to the boys bedroom and took a stuffed animal of both Michael and Malcolm. She went outside in the freezing cold of December and made her way to the roof of the house. Richard Johnson woke up some time later, noticed she was missing and went looking for her. Eventually he found her standing on the side of the roof, stuffed animals tightly locked in her arms. Richard asked her to come down, cried, screamed, told her that he couldn't bare to loose her as well. He called the police on his mobile phone, all the while not taking his eyes off of her. When they finally arrived, Irene had already jumped from the roof after telling her husband in a sobbing voice that she loved him, that she was sorry, that she couldn't live without her boys, that she'd be back with them in Heaven soon, holding them, kissing them, never letting them go. She jumped from the other side of the house, making sure her husband wouldn't be able to try and catch her nor would he be able to see her hitting the ground and hearing her skull be broken on the stone terrace floor as she went head first.
4
In the weeks that followed, Richard Johnson received all the help he could ever need from seemingly everyone in town, He'd get food so he wouldn't starve, people would ask him to come over to get out of the house and neighbors would come over so he wouldn't die of loneliness and despair.
But over the course of the two months after Irene Johnson's suicide, Richard kept more and more to himself. He'd tell us that he was thankful for what we'd done for him, but he needed to be alone now. "I guess I have to get used to it, anyway", he would say with a smile that was anything but a smile. During the nights neighbors would hear Richard screaming. There'd be the sound of stuff thrown across the house and sometimes the sound of broken glass. Then it'd be silent. Until the following night. Finally Richard, having lost a massive amount of weight, blue bags pointing to insomnia under his eyes and with virtually no other color in his once happy looking face left, knocked on his neighbors door. He'd cut his wrist, but then apparently decided he didn't want to die. He was taken to the hospital where he was patched up. Physically that is. Mentally he'd gone over the edge. He was taken to Brooks Mental Institution in Mason where he told everyone who wanted to listen how he'd seen a woman appear in the bedroom window - ín the window, nót before the window. Her face covered with sores and blisters, her clothes torn to shreds, her hands blackened from decay. She told him how he'd be next, how he would follow his godforsaken children and his cunt of a wife to the very depths of Hell. But not before she would rip out his intestines and feed on the sweet taste of his flesh. Every night that followed that first appearance - Richard had carefully considered the word appearance before pronouncing each syllable explicitly - she'd be back in the window or a mirror or simply in his head, telling him how his “wife was being fucked by Satan himself as we speak" and how much his wife had loved it, the pain, the suffering, the smell of her own decaying body. The woman would tell him how his children were left wandering blindly through the immeasurable vastness of Hell, crying for their father who hadn't been able to save them when they were being hurt by the evil lady so badly. Once he'd heard his children's voices through the voice of the woman, telling him that he'd be with them soon enough, and he'd suffer for his neglect. He couldn't take it anymore, had tried to kill himself, but then feared death. He jut wanted to get away, away from the house, away from the windows and the mirrors, away from his own thoughts. At Brooks, he demanded to be put under at night, or he'd try and kill himself again. He got what he wanted.
5
Jim Donner, who'd been working at Brooks for over 25 years and who'd been a friend of mine for over 30 years, told me all this about a month after Richard Johnson had been admitted.
"You know what's amazed me even more about that Johnson fellow, Dan?" he asked.
"What?"
"He sounds... relieved. Sane, even. For God's sake, he's lost his wife and kids in just three months and all he says is that he loves them and what a pity it is that they're gone. Then he says that it'll all be alright as long as he gets his night-time medicine so the woman can't get to him. Then he says it's a beautiful day. Cold, but sunny, he says. Jesus Christ. I've seen them before you know, poor souls who've had a traumatic experience and have decided to simply forget what's happened to them. Their brain just kind of resets itself because of some sort of emotional overload, I guess. But this is different".
"How so?" I asked.
"Richard Johnson seems to have come to terms with the fact that his sons have been mutilated and murdered and that his wife has killed herself. I mean, he's accepted those facts and is ready to move on. All he really cares about, the only thing that really is of grave importance to him, is the woman. But people don't get over such a traumatic event in such a short time. It's like the woman - the appearance - has taken up all his brain space and has pushed out the horror of reality, of what's happened to his family".
"Could she be some sort of mental manifestation of his true feelings about all that's happened? I mean, the deaths of his loved ones certainly seem to play a role in his encounters with that mystery woman". I asked this, knowing full well I'd probably sound like some pretentious twat who's once read a book on psychology and thinks he can now go all Freud on the entire world.
"Could be", Jim replied distantly. "Could be".
I felt like a twat.
6
I knew of the legend of Susannah Harris. Of course I did. I was born and raised in Fairwill and I’ve lived here all 48 years of my life. I’ve heard the story round campfires, during family picnics and on the schoolyard. In some of the stories she’s a beautiful 20 year old, in others she’s an 82 year old hag. Sometimes she’s responsible for the deaths of about 20 children and 15 adults, other times it turns out she was innocent. She may or may not have been able to turn people into stone, boil their blood inside their veins, and levitate at night over the hills south of Fairhill. The details differ from storyteller to storyteller but always include a decent amount of blood and well timed scares, usually accomplished by the storyteller’s helper who’s been hiding behind the children and will jump out screaming at the most tense moment of the story.
One part of the legend - the ending - never changes though, possibly because it’s such an iconic image. It’s the stake. The townsfolk gathered round the stake. The flames. The screams of Susannah. The warnings of how she’ll come back.
Six months after the murders of Michael and Malcolm Johnson all Hell broke lose in Fairhill. I need to tell you the legend of Susannah Harris because it is directly related to what has happened here during the last 12 months. You need to understand how deeply the events of 400 years ago are linked to our current time and how it will happen again someday in the future if I don’t somehow put a stop to it. You need to understand. The year is 1653.
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