Originally posted by dannyboy121070
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I just finished up Snakewood by Adrian Selby. I would recommend it though it's not your standard S&F novel and the beginning is a bit dense. It finishes strong and introduced a lot of interesting elements, just don't look for many real good guys in this one. Up next a mystery by Chris Knopf, The Last Refuge.
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Just read Bradbury's SOMEWHERE A BAND IS PLAYING (Gauntlet S/L HC), and while I appreciate Gauntlet's on-going goal to offer unpublished material and rough snippets of unfinished to his fans, some of that material probably should have stayed in the proverbial trunk...this was one of those efforts. As a Bradbury fan, it was an interesting book as it showed the progression of the pieces, the alternate truncated fits and starts, etc., but as just a piece of fiction, it contained just about every Bradburyesque excess of sentimental prose, and, worse, wasn't particularly interesting and didn't make a great deal of sense in spots. This needed a lot more polish and work before it should have seen print...reminded me a bit of the later Matheson stuff Gauntlet published, material that did little to further Matheson's body of work's reputation and, in fact, arguably diminished it. I understand the financial and artisitic/cultural/completist motivation to put out material posthumously and/or in their twilight years when they no longer have the ability to write new fiction (and Bradbury and Matheson are far, far from the only ones who've had this happen), and I understand such material should not be compared to their classic work and instead should be accepted for what it is...but it's still unfortunate when that new material doesn't reflect the quality for which they're known and, for some readers, puts a bit of a tarnish on that work. Rough, uneven work is expected in a writer's early years, but should a writer and/or his audience find worth in its publication at the end of his career? Harper Lee's GO SET A WATCHMAN is another example, though as I understand it this was a money-grab by people who ignored her decades-long refusal to release any new work.Twitter: https://twitter.com/ron_clinton
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Originally posted by RonClinton View PostJust read Bradbury's SOMEWHERE A BAND IS PLAYING (Gauntlet S/L HC), and while I appreciate Gauntlet's on-going goal to offer unpublished material and rough snippets of unfinished to his fans, some of that material probably should have stayed in the proverbial trunk...this was one of those efforts. As a Bradbury fan, it was an interesting book as it showed the progression of the pieces, the alternate truncated fits and starts, etc., but as just a piece of fiction, it contained just about every Bradburyesque excess of sentimental prose, and, worse, wasn't particularly interesting and didn't make a great deal of sense in spots. This needed a lot more polish and work before it should have seen print...reminded me a bit of the later Matheson stuff Gauntlet published, material that did little to further Matheson's body of work's reputation and, in fact, arguably diminished it. I understand the financial and artisitic/cultural/completist motivation to put out material posthumously and/or in their twilight years when they no longer have the ability to write new fiction (and Bradbury and Matheson are far, far from the only ones who've had this happen), and I understand such material should not be compared to their classic work and instead should be accepted for what it is...but it's still unfortunate when that new material doesn't reflect the quality for which they're known and, for some readers, puts a bit of a tarnish on that work. Rough, uneven work is expected in a writer's early years, but should a writer and/or his audience find worth in its publication at the end of his career? Harper Lee's GO SET A WATCHMAN is another example, though as I understand it this was a money-grab by people who ignored her decades-long refusal to release any new work.
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Four hundred pages into The City of Mirrors and really enjoying it. There was a lengthy backstory in the first third of the book that was, first time in the trilogy, the first time I was somewhat bored with the story. But, you come to realize that that backstory was the genesis for the entire Passage story; just wished that Cronin could have speed it up a bit. But, otherwise, City of Mirrors, similar to the first two books, is kicking ass. Can't wait to see what the final 200 pages have in story. Overall, will be sorry to see this one come to an end.
B
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I have to admit I didn't read this yet. By the time I received my copy I would have had to do a re-read on the other two and I just never got around to it. Thanks for the mini review.
Originally posted by brlesh View PostFour hundred pages into The City of Mirrors and really enjoying it. There was a lengthy backstory in the first third of the book that was, first time in the trilogy, the first time I was somewhat bored with the story. But, you come to realize that that backstory was the genesis for the entire Passage story; just wished that Cronin could have speed it up a bit. But, otherwise, City of Mirrors, similar to the first two books, is kicking ass. Can't wait to see what the final 200 pages have in story. Overall, will be sorry to see this one come to an end.
BLooking for the fonting of youth.
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Anyone else read the series of books the TV show "The Expanse" is based on (also called The Expanse)? I'm really enjoying them so far. Though the further in I get the more I realize that the books did a much better job of telling the story that the show did. The show changed a lot of the fundamental either character traits of the main characters and the different political organizations. I really think the books version of those things has been much better.CD Email: [email protected]
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Originally posted by Dan Hocker View PostAnyone else read the series of books the TV show "The Expanse" is based on (also called The Expanse)? I'm really enjoying them so far. Though the further in I get the more I realize that the books did a much better job of telling the story that the show did. The show changed a lot of the fundamental either character traits of the main characters and the different political organizations. I really think the books version of those things has been much better.
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Originally posted by Dan Hocker View PostAnyone else read the series of books the TV show "The Expanse" is based on (also called The Expanse)? I'm really enjoying them so far. Though the further in I get the more I realize that the books did a much better job of telling the story that the show did. The show changed a lot of the fundamental either character traits of the main characters and the different political organizations. I really think the books version of those things has been much better.
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Originally posted by mhatchett View PostI read the books and enjoy the show. I pretty much compartmentalize each and try to enjoy them as two similar, but slightly different things, if that makes sense at all lol!!! The books are just wow, I can't believe they haven't won more awards. One of my best buys from Sub Press for sure.CD Email: [email protected]
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Buy my stuff! - https://www.etsy.com/shop/HockersWoodWorks
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Originally posted by njhorror View PostReading the second in the Merrily Watkins series by Phil Rickman, Midwinter of the Spirit.
The first, The Wine of Angels, was typical Rickman, a great read from cover to cover.
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