As I was compiling this list I realised I'd forgotten to post my October books, so here are both.
Stephen King - The Institute (5/10) King returns to his favourite subject of psychic powers, in this case, telepathy and telekinesis. The 200 pages in the first half of the book describing the kids treatment in the "institute" are needlessly drawn-out and repetitive and could have easily been reduced to about 50 pages. The book does pick up pace in the second half but still compares badly to his earlier novels on the same theme. King is just retreading old, familiar ground without anything new to say.
Robert Ford & John Boden - Rattlesnake Kisses (6/10) Fast paced crime novella muddied by a confused backstory.
Brian Keene - Good Things for Bad People (5/10) I like Keene's straightforward writing style which makes all his work highly readable but, once again, the short story format fails to engage me most of the time.
Cornell Woolrich - The Black Curtain (5/10) Good start with a man coming round after getting knocked on the head only to find he's been missing for 3 years and has been living as someone else. As he tries to find out what happened he discovers he's wanted for murder and has to prove his innocence. Convuluted and highly improbable crime story that never explains why he was using the alias in the first place.
Lee Child - Without Fail (7/10) Jack Reacher is called in to protect the VP. As usual Child doesn't disappoint. Even in one of his more straight-forward books there's plenty of action and believable character relationships to keep you reading.
Peter Swanson - The Kind Worth Killing (7/10) Good Girl type murder thriller with lots of twists. I read this because of a blurb by Joe Hill and enjoyed it. I will pickup the authors other books.
James A Moore - Blood Red (7/10) If Salem's Lot had been written by Richard Laymon it would probably have been something like this very good modern vampire novel.
Josh Malerman - A Little Red Book of Requests (3/10) I wasn't impressed by Bird Box and this collection of stories confirms that this author is not to my taste.
Stephen King - The Institute (5/10) King returns to his favourite subject of psychic powers, in this case, telepathy and telekinesis. The 200 pages in the first half of the book describing the kids treatment in the "institute" are needlessly drawn-out and repetitive and could have easily been reduced to about 50 pages. The book does pick up pace in the second half but still compares badly to his earlier novels on the same theme. King is just retreading old, familiar ground without anything new to say.
Robert Ford & John Boden - Rattlesnake Kisses (6/10) Fast paced crime novella muddied by a confused backstory.
Brian Keene - Good Things for Bad People (5/10) I like Keene's straightforward writing style which makes all his work highly readable but, once again, the short story format fails to engage me most of the time.
Cornell Woolrich - The Black Curtain (5/10) Good start with a man coming round after getting knocked on the head only to find he's been missing for 3 years and has been living as someone else. As he tries to find out what happened he discovers he's wanted for murder and has to prove his innocence. Convuluted and highly improbable crime story that never explains why he was using the alias in the first place.
Lee Child - Without Fail (7/10) Jack Reacher is called in to protect the VP. As usual Child doesn't disappoint. Even in one of his more straight-forward books there's plenty of action and believable character relationships to keep you reading.
Peter Swanson - The Kind Worth Killing (7/10) Good Girl type murder thriller with lots of twists. I read this because of a blurb by Joe Hill and enjoyed it. I will pickup the authors other books.
James A Moore - Blood Red (7/10) If Salem's Lot had been written by Richard Laymon it would probably have been something like this very good modern vampire novel.
Josh Malerman - A Little Red Book of Requests (3/10) I wasn't impressed by Bird Box and this collection of stories confirms that this author is not to my taste.
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