Originally posted by TacomaDiver
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Originally posted by swintek View Post
The dreaded "Second Edition" pleases NO collector, so- I respectfully disagree. If we dig down on it, it really comes down to exclusivity- the "juice" for- increasingly- many collectors, and the Problem, as I see it, being so exploited in modern publishing. This conceit was never at the forefront of the small press. As I said earlier- I absolutely get that exclusivity was part of the rush of book collecting: Having That Which Others Do Not (secondary to having beautifully-crafted alternative editions of books we love, unfortunately). I wish that we'd get back to the model that was the spirit of small press Horror Book Collecting in the 70's and 80's, though; which seems to me used to be: We're going to make enough copies to distribute throughout our awesome small community, to all of our like-minded passionate book-lovers who want them. We're going to make enough to satisfy the current demand (which, think about it: has always been roughly 500-1000 interested parties- not counting Stephen King). Then, gradually, those limited copies would sell out, and become increasingly harder to find, and more pricey to obtain. But, not this immediate, manufactured, FOMO Driven exclusivity and insane speculation, primarily driven from the Facebook guys. Ron- surely (ahem), you, of all people, remember how this was? Perhaps, your abstinence from that toxic platform has shielded you from the horror of the The Modern Small Press Collector. Good on you. But, I will say, when I hear: 'I don't want other collectors in this small, intimate, passionate group of book lovers to have the same thing that I want- even though they want it just as much as I do- and they were just not in the right place at the right time - I have to scratch my head.
There’s no denying it feels different today than it did in the boom era of the ‘80s or, heck, any era, really, before the last half-dozen years or so. I think there’s probably a number of reasons for that unfortunate change — including the speculation and role of social media that you mention — but I suppose, to my mind, the only party I wouldn’t assign fault to is the publisher. I don’t feel it’s their responsibility to print enough copies to please everyone.
The history of the small press is absolutely littered with bygone presses that subscribed to the business model of high limitations to diminish per copy cost, then after the initial burst being buried by frustratingly gradual sales with additional cost of storing stagnant inventory, an inventory that too often never achieves sellout. A few of those and a press is rapidly at risk. The related costs are exponentially more challenging today than they were in the ‘80s, and so in today’s precarious business environment I can’t then blame a press for wanting to more accurately hone their limitations to match that immediate demand to minimize longterm costs and bleed. Forecasting demand is essentially a predictive gamble, so it’s sensible that a publisher err on the side of caution to protect the longterm solvency of their business.Twitter: https://twitter.com/ron_clinton
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Originally posted by RonClinton View Post
The history of the small press is absolutely littered with bygone presses that subscribed to the business model of high limitations to diminish per copy cost, then after the initial burst being buried by frustratingly gradual sales with additional cost of storing stagnant inventory, an inventory that too often never achieves sellout. A few of those and a press is rapidly at risk. The related costs are exponentially more challenging today than they were in the ‘80s, and so in today’s precarious business environment I can’t then blame a press for wanting to more accurately hone their limitations to match that immediate demand to minimize longterm costs and bleed. Forecasting demand is essentially a predictive gamble, so it’s sensible that a publisher err on the side of caution to protect the longterm solvency of their business.
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Originally posted by TacomaDiver View PostI have it on good authority that SST will be doing another SGJ book (it'll be their fourth by my count.) I don't know when, and while I have some clues, I don't know which book.Twitter: https://twitter.com/ron_clinton
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I had a hard time getting into The Only Good Indians. The voice was tricky for me. Some parts worked better than others. Admittedly, that's the only book I've read from him, but after yesterday's talk, I am more interested in My Heart is a Chainsaw (which has a sequel - Don't Fear the Reaper - coming out next year - AND a third is currently in the works.)
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Originally posted by Brian861 View PostAnyone jump on the latest offer? I did. I was really impressed with the other production.
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jeffingoff Looks like I need to eat a bit of crow as you look on and smile…after Malerman serving as my personal Bentley Little for years, I just finished my reread of BIRD BOX via the new SST edition…and really enjoyed it. Go figure. I’m not ready to change my mind on ON THIS DAY OF THE PIG or, especially, GOBLIN…but I do now want to track down a copy of the (now unfortunately sold out) edition of MALORIE after passing on the preorder offer a while back…I’d like more of this story.Twitter: https://twitter.com/ron_clinton
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Originally posted by Parviz View PostI think there is still copies of Malorie at DRPTwitter: https://twitter.com/ron_clinton
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