Originally posted by Splync
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Midnight Under The Big Top edited by Brian James Freeman
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Twitter: https://twitter.com/ron_clinton
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Originally posted by RonClinton View Post
Do I understand correctly that the lettered version of a multi-author anthology was only signed by the editor?
My suspicion is that the lettered sheets were lost or damaged somewhere because the sheets used are very bare. The numbered sheets were fully illustrated, while the lettered sheets have a little snippet of the cover art, but are mostly blank.
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Originally posted by Splync View Post
Yes, but it was never advertised as being signed by the authors. The page still says that it'll be signed by Brian James Freeman and the artists, but only the numbered edition has the artists' signatures.
My suspicion is that the lettered sheets were lost or damaged somewhere because the sheets used are very bare. The numbered sheets were fully illustrated, while the lettered sheets have a little snippet of the cover art, but are mostly blank.
Twitter: https://twitter.com/ron_clinton
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Here’s an explanation I found on the product page:
Please Note: We originally had the editor and artists sign signature sheets for both editions, but due to a problem at the bindery, all the Lettered Edition books and a significant number of the Limited Edition books had binding problems. To fix this, they had to strip the bindings and bind them again. This process destroys the endpapers and front tip-ins, unfortunately. So, we printed new sheets that the editor quickly signed so the binding could be completed, but there wasn't enough time to send the new sheets to England and Maine for the artists to sign.
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Originally posted by Sock Monkey View PostHere’s an explanation I found on the product page:
Please Note: We originally had the editor and artists sign signature sheets for both editions, but due to a problem at the bindery, all the Lettered Edition books and a significant number of the Limited Edition books had binding problems. To fix this, they had to strip the bindings and bind them again. This process destroys the endpapers and front tip-ins, unfortunately. So, we printed new sheets that the editor quickly signed so the binding could be completed, but there wasn't enough time to send the new sheets to England and Maine for the artists to sign.
It's a bit ironic that it happened to all of the lettered copies. They had to rush to get the signature sheets back for an edition that ended up sitting in the warehouse for two years waiting for traycases.
But such is life sometimes!
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